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Mumbai: Previous Miss Universe Sushmita Sen, why should set shoot her first Bengali film 'Nirbaak', feels it's like "homecoming" for her.

"In four days I am going to Kolkata to shoot for my first Bengali film and I am exceptionally amped up for that. It`s like a homecoming, it`s like backpedaling to my roots," the 38-year-old said here at a gems store dispatch Sunday.

She said that she was before terrified of doing a Bengali film, yet now she`s valiant about it.

"I can do a Tamil, Telugu or whatever other dialect film, yet I am (was) frightened of doing a Bengali film. (Presently) I have over that, and I`m working with some stunning performing artists and I`m anticipating it," she said.

"Nirbaak" will be coordinated by National honor winning chief Srijit Mukherjee and created by Venkatesh Movies. The film likewise stars Jisshu Sengupta and Ritwick Chakraborty.

In the mean time, there has been talk that the group of onlookers might get the opportunity to see Sushmita and Aishwarya Rai Bachchan together soon.

Gotten some information about it, Sushmita said: "This tragically is something that Gaurang Doshi (maker) will have the capacity to answer better. Be that as it may, yes there is a script the two of us are considering together."

Kolkata: Committing his National Grants for the 2014 Bengali thriller "Chotushkone" to late producer Rituparno Ghosh and the motion picture's group, chief Srijit Mukherji accepts there is no gap between Bengali film and Bollywood with regards to content.

Mukherji packed away the desired Best Executive honor at the 62nd release of the prestigious grants for "Chotushkone" (The Quadrangle), which as per the jury has made "splendidly reflexive utilization of the true to life figure of speech".

He additionally won the honor for the Best Unique Screenplay for the film, which even got the Best Cinematography award for Sudeep Chatterjee.

"I don't think there is any crevice (between Bengali film and Bollywood). Great silver screen is great film wherever it happens, be it "Haider" or "Chotoder Chobi' or 'Chotushkone'. Substance is the best leveler... I don't generally think there is a hole in that capacity," Mukherji told IANS in a meeting here.

The Kolkata-based movie producer likewise focused on that at the appointed time of time, Bengali silver screen will likewise hoard its offer of the spotlight given its present execution on the national circuit.

"In the event that you are discussing national acknowledgment and spotlight, given how Bengali silver screen is faring on the national scene generally, that hole or disparity or segregation will be spanned in course of time," he said.

While Vishal Bhardwaj's "Haider" took away a bunch of five grants and "Ruler" scored with the Best Hindi Film and Best Performer respects, Tamil and Bengali motion pictures likewise got a plenty of distinctions.

The Indira Gandhi Honor for Best Presentation Film of a chief went to Bengali film "Asha Jaoar Majhe", helmed by Aditya Vikram Sengupta, while Bengali film "Chotoder Chobi" was named as Best Film on Social Issues for its depiction of minimized individuals.

Performing artist Churni Ganguly won the Best Bengali film recompense for her directorial debut "Nirbashito".

The resurgence of Bengali silver screen, feels Mukherji, is because of the differing qualities of subjects.

"New voices like Churni Ganguly, Sengupta are coming up and old voices are thinking of flexible subjects and this betokens extremely well for the condition of Bengali silver screen," he said.

Appearing with the basically and industrially fruitful "Signature" in 2010, the 37-year-old's amazing six-film collection gloats of assortment.

Be it the mental thriller "Baishe Srabon", "Hemlock Society" (dull satire), experience flick "Mishawr Rawhoshyo", "Jaatishwara (a period musical dramatization which won four National Recompenses a year ago) and "Chotushkone", Mukherjee says he controls far from reiteration.

"I don't attempt to appear as something else... my movies end up being distinctive and that is on account of I detest rehashing myself and I cherish fiddling with assortment and to the extent plots and subplots are concerned. I'm extremely partial to various stories furthermore non-direct portrayal (as in 'Chotushkone')," he said.

Rotating around four movie producers who are every given the assignment to shoot a short film managing demise, the interesting "Chotushkone" including sub-plots, stars genuine performer executives Aparna Sen, Goutam Ghose, Parambrata Chatterjee and Chiranjeet Chakrabarty in the key parts.

Chatterjee's part was initially intended to be tried by Rituparno Ghosh, who passed away in 2013 after a heart assault. By chance, it was Ghosh who brought home the last Best Chief Brilliant Lotus (Swarna Kamal) trophy for "Abohoman" in 2009.

"The win is devoted to Ghosh and the group of the film. I composed "Chotushkone" in 2010 and I began talking about the film with him and turned out to be near him.

"So it is an exceptionally critical film with regards to Rituparno Ghosh and me and clearly I learnt a great deal. He would have been extremely glad today," Mukherji thought back affectionately, including the star-cast of the film was in a state of harmony with the story's structure.

A financial analyst and social researcher by capability, Mukherji had no idea what a camera looked enjoyed when he quit his extravagant occupation and "took the dive" into showbiz five years prior.

He is no outsider to the hazards of the film business, including oversight issues that he needed to handle for the 2012 "Hemlock Society" which manages doctor helped suicide.

"I have confronted it (control inconveniences). It is a significant issue. I think sensible individuals ought to investigate the issue. The imperative thing is Edit Leading body of Film Accreditation is a misnomer. I think we ought to stay consistent with its name of ensuring movies as opposed to controlling movies.

"We ought to affirm who ought to watch it and who shouldn't as opposed to advising what to watch and so forth," stated Mukherji, whose next film "Nirbaak" featuring Sushmita Sen is prepared for discharge in Might. He is as of now taking a shot at "Rajkahini".

Kolkata: On-screen character Rituparna Sengupta will assume the lead part in a forthcoming biopic of acclaimed supper club artist of the 70s in Kolkata, Miss Shefali.

Titled, "Tadonto", the motion picture will be coordinated by Bollywood workmanship executive turned-producer Nitish Roy.

"The motion picture depends on the life of Miss Shefali who kept to her calling getting by through misuse and selling out of a general public in which ladies assume optional part. It is valid in each age," Rituparna told PTI on the film's set.

The 43-year-old productive performing artist said Miss Shefali's life ought to be legitimately investigated in subtle element in a narrative film, drawing out the full story of her life, warts what not. Miss Shefali, nee Arati Das, routinely showed up in men's club move arrangements in numerous Bengali theaters separated from being a normal at the bars of set up lodgings.

"My anecdotal character in the film interacts with two men and the script draws out her distress, treachery, glad recollections, torment - everything," Rituparna said. "It discusses the misuse of ladies from Shefali to an advanced young lady."

Rituparna is elate about offering screen space to the considerable troika of the stage, Goutam Halder, the bar pimp, Deb Shankar Halder, who plays a police agent that frequents the spot, and Kaushik Sen.

"I had before worked with Deb Shankar in "Muktodhara" and 'Aleek Sukh'. Being from a non-theater foundation, it was an alternate affair yet he is just as adaptable in both movies and stage," she said.

Inquired as to whether she was more alright with troupe cast movies stuffed with intense on-screen characters, Rituparna said, "Gathering or not, what is important to me is whether I am the urgent character in the film. You need to pick your part outfit or not that is generally imperative."

Roy said the hero encapsulated the torment of a lady in the patriarchal arrangement of society.

"It can't be the story of a solitary bar vocalist of a specific time however I have alluded to the 70s-80s. Such characters exist in each age, each city and each general public," Roy said.

Dubious angel Poonam Pandey is by all accounts managing an account vigorously on her delicious advantages for score accomplishment with her presentation Bollywood flick 'Nasha'.

The primary look of the magnificence in the motion picture where she was found in an off-shoulder furnish that permits her to blaze her hearty "B" is a shade raiser to catch the interest of the film buffs.

Poonam Pandey is going to satisfy her guarantee of stripping for couple of arrangements in this sensual film.

Nasha is said to be a transitioning film and the cutie would be romancing two men in her first excursion.

Amit Saxena of Bollywood flick "Jism" featuring John Abraham and Bipasha Basu is wielding the bull horn. Along these lines, anticipate that Nasha will be a boldest film ever constructed on Hindi screen.

They were co-on-screen characters in Chotushkone, yet now one will be coordinating the other.

Kaushik Ganguly has restricted in Chiranjeet Chakraborty to play a critical character in Dhumketu, which stars Dev and Subhashree ahead of the pack. "I revere Deepakda (Chiranjeet) as an on-screen character and I am glad that he will be a piece of my film. He plays an educator and a physical mentor, who is a significant renegade. He is Dev's guide in the film.I took Deepakda on board as I required somebody who is noble, manly but passionate in his conduct and I feel he is able. Dev in this film is additionally manifestly obvious and without stardom.Deepakda's part will be shot in Simla soon," educated Kaushik. He included, "Dhumketu spins around a `terroist family' and how the individuals battle against social error .Really, unconsciously a terrorist is slaughtering his own family while murdering others."

He had set his showstopper, Rajkahini, in a whorehouse on the Bengal-Bangladesh outskirt. Also, now, as Srijit Mukherji goes national, the activity will move to the Radcliffe Line on the west, isolating India and Pakistan. The film's title has been bolted as Begum Jaan and will see Vidya Balan playing the character effectively made renowned by Rituparna Sengupta.

The choice to change the scenery was taken by the producers.Said Mukesh Bhatt, "Srijit is one of the finest executives in the nation today. Furthermore, it's chance he makes an introduction broadly or even interna tionally. In any case, as we recount the narrative of Rajkahini to a bigger gathering of people, the canvas must be greater. The film's background is the Punjab fringe. We are adjusting the story to make it more national. A few genuine occurrences from the Segment will be consolidated into the film, which, thusly, will change the surface to a degree." Mukesh included that however Vidya has effectively given her assent, whatever remains of the cast is yet to be settled. In the interim, Kausar Muner, who composed the dialogs for Bajrangi Bhaijaan, is dealing with the screenplay .

In Bengal, there's a considerable measure of energy about the project.And despite the fact that hypotheses were overflowing if Srijit will start shooting the second version of Kakababu after his Zulfiqar, sources say the Hindi film is to be sure his next. All in all, when is the group beginning to shoot? "Five months from now," said Mukesh.

Mimi Chakraborty and Srabanti were excessively bustling advancing Birsa Dasgupta's Shudhu Tomari Jonyo (STJ) to land on schedule for a casual conversation with CT. What's more, their co star in the film, Soham, who had strolled in ahead of schedule and was made to hold up a long time by the young ladies, chose to get even by meeting the two. Furthermore, what a meeting it was! He flame broiled the young ladies, heaved venom at the chief for calling Dev his "trump card" in the film, and so forth. What's more, however the "trump card" couldn't make it, as he was occupied with another shoot, his three co-stars had very much a chatpata adda with us. Extracts:

Soham: In a late meeting to CT, our chief Birsa Dasgupta said, "STJ has Dev and that is my trump card". Things being what they are, don't you get a handle on left? All things considered, each of the three of us had likewise put in a ton of push to make the film...

Srabanti: I've perused the meeting in print and on online networking. The way Birsada is going ga over Dev makes me believe, would we say we are then negligible props in this film?

Mimi: I'm not conversing with Birsada for this. I concur Dev is a genius, yet the three of us are likewise his cast individuals and have done equity to our characters. Things being what they are, the reason this inclination?

S: He didn't say our names even once, however we're giving such a great amount into advancing the film. Soham, don't you feel terrible?

Soham: obviously I feel terrible, yet I didn't say anything to Birsada. All things considered, he is the commander of the boat.

S: Gracious, so that is the reason you're giving less time to advance STJ (chuckles)?

What makes a film fruitful — enormous names, be it an on-screen character or the executive, or the story?

M: There are such a variety of occurrences of movies made by enormous chiefs with a genius cast not working in the cinema world on the grounds that the story is powerless. In this way, that way , the script is the thing that represents the deciding moment a film.

S: Any huge chief, legend or courageous woman has no energy to run a film, as at last , the crowd needs to identify with the story . Along these lines, just a decent story and script can make a film work. The star cast comes next. In STJ, we simply play characters; the story is the principle genius. Also, the music is as of now a fierceness.

M: STJ has an exquisite story . I trust Birsada peruses this meeting, or else we'll simply send him the web join, as he does with everything identified with his film.

S: Strike against Mimi. Despite the fact that it's a business sentimental film, Birsada has given another flavor to it. Thus, STJ ought to run in light of its story. Say something in regards to your characters in the film.

M: I play Koli, a joyful vagrant young lady from north Kolkata. She meets Adi (Dev) and love blooms between them.The film is about whether their affection achieves a coherent end.

S: I play Nayantara — a character not quite the same as what I have played in this way. It has two shades. Previously, I play a bubbly young lady, yet in the present, I'm a genuine working woman with a great deal of pity inside.

I'm worn out on this answer — my character is distinctive. Hema Malini, as well, had two shades in Seeta Aur Geeta. All in all, clarify how Nayantara is unique in relation to the characters you have played as such?

S: She assumed a twofold part. Be that as it may, in STJ, my character has two shades. On the off chance that I reveal everything now, why will one go and watch the film? You are insufferable, Soham; you generally contend with me. However, I continue saying that you are my fave on-screen character, as nobody is on a standard with you and I imply that. (Swings to CT) He plays Seeraj, a Muslim gentleman who lives in north Bengal. He's a topper in school and there's an affection edge between his character and mine.But whether the adoration gets another significance is something I'll not let you know now. For that, one needs to watch the film.Whenever I impart the screen to Soham, I've to be doubly cognizant, as he is a splendid performing artist and I need to coordinate up to him.

M: Soham and Srabanti are similar to Tom and Jerry. Continually battling like felines and mice, yet both are fervent devotees of one another. At the point when Srabanti was shooting with Soham in north Bengal, she asked him whether he was missing me.

Soham: (Cuts in) I told Srabanti, yes, I do miss the 20 retakes which will undoubtedly happen when I'm shooting with Mimi.Thank god, it's just a few with Srabanti around (roars with laughter)!

M: (Yells) How mean? I give 20 retakes? You're such a liar. Ask Birsada!

S: Mimi, why are you getting so disturbed? Don't you know Soham can play tricks with a straight face?

Mimi, are you mindful that Birsda has said Srabanti is the finest business on-screen character, while Mimi shimmers on the screen. So Srabanti, you don't have the ability to touch off the screen such as Mimi, and Mimi, you're not an on-screen character on a standard with Srabanti...

S: Soham, you can't make a crack in the middle of Mimi and me. I feel she has a style that separates her from the group. She truly lights up the screen.

M: Birsada has the freedom to say whatever he needs. What's more, there's no damage in conceding that Srabanti is one of the best performing artists we have in Tollywood.

Was the executive strict on set with both of you? Is it accurate to say that he was incomplete towards Dev?

M: Why , would you say you are not a piece of STJ? You answer the inquiry. Birsada makes you buckle down, at the end of the day , when you see the outcomes, you feel it's justified regardless of the exertion. Furthermore, I impart this dazzling mathematical statement to him; I recognize what he needs from me in a scene through negligible eye contact.

S: (Takes a gander at Mimi) You know, I heard Soham telling somebody that Birsada takes 100 takes for one shot! By what method would he be able to speak such as that about our chief? Disgrace on you, Soham. Yes, now and again Birsada was minimal incomplete towards Dev (giggles), yet in the meantime, he commended my work, so I like to disregard the rest.

M and S: Tu mera heart beat hain, tu superduper hit hain... this is Birsada's melody for Dev!

How was the shoot at Turkey, as the chief didn't try to take me there?

S: Dev ke niea gechilo kintu! The shooting was brilliant and the DoP made us look so great in the tunes!

M: It's at last the executive's call. By what method would we be able to remark on that? Yes, we celebrated a great deal there.

Do you feel Dev is hoarding all the spotlight, because of the executive?

M: Chiefs can have their own faves. In any case, I feel the story and the way STJ has been made will do the talking at last.

S: And I can wager Soham will hoard all the spotlight in a few scenes!

Much obliged to you, however I heard that both of you are giving more inclination to Katmundu, as it's a Raj Chakrabarty film?

S: Narod Soham Chakraborty is your new name. Both Katmundu and STJ are near my heart and I'm giving equivalent inclination to both.

M: To me, both movies are two sides of the same coin. Period. What's more, I won't observe any film other than these two amid Durga Puja, as I have to unwind. I've been working a lot in the previous couple of months. I'll observe the various three movies after Puja.

S: Right you are, Mimi. Puja is absolutely family time. Let Bangla movies govern this

Raima Sen is the top class pellucid excellence In Indian Bangla film. On-screen character Raima Sen is the little girl of Moon Sen and she is the granddaughter of celebrated and beat incredible on-screen character Suchitra Sen. Raima Sen sister name Riya Sen who is another well known VIP performing artist in Bollywood. On-screen character Raima Sen made her acting introduction with the film "Guardian" that was an acclaimed effective motion pictures. Here we will give Raima Sen Bio-information, Raima Sen Bra Estimate and full body estimations.

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Pooja Bose is a prospering new motion picture courageous woman in Bangle Motion pictures uncommonly for Kollywood film Industry. Pooja Bose streaming media vicinity is extremely appealing for mass individuals those are similar to films. Performer Pooja Bose not just acting in Motion pictures she is likewise one of the top Indian TV on-screen character. Pooja Bose is Local Indian and her guardians likewise by conception Indian and their Tongue is Hindi.Actress Pooja Bose has great identity and she has great connection with the vast majority of film chiefs as other motion picture related persons.

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Paoli Dam is an Indian film on-screen character. Dam began her vocation in 2004 with Bengali TV megaserial Jibon Niye Khela. In the following couple of years, she worked in couple of more Bengali TV serials like Tithir Atithi, Sonar Harin. The uber serial Tithir Atithi kept running for a long time in ETV Bangla.

Dam spent her adolescence in Kolkata and earned a postgraduate degree in science from Rajabazar Science School. At first she needed to end up either a specialist of science or a pilot.

Dam's introduction Bengali film Adolescent Yaari Katha coordinated by Sudeshna Roy, Abhijit Guha was begun making in 2004, yet the film did not discharge till 2012. Her initially discharged film was Agnipariksha coordinated by Rabi Kinagi. Somewhere around 2006 and 2009 she acted in five Bengali motion pictures, yet, she became a force to be reckoned with her 2009 film Kaalbela coordinated by Gautam Ghose. In 2011 she acted in Chatrak. The film made a few contentions in India for an unequivocal simulated intercourse.

In 2012 Dam made her Bollywood debut in Scorn Story. She likewise acted in Vikram Bhatt's next creation Ankur Arora Murder Case coordinated by Sohail Tatari.

Born: Pauli Dam, 4 October 1980, Kolkata, West Bengal, India.
Nationality: Indian
Ethnicity: Bengali
Occupation: Actress
Years Active: From 2006
Notable Works:     Madhabilata in Kaalbela (2009), Kavyah Krishna in Hate Story (2012)
Early life and Education:Paoli Dam was conceived on 4 October 1980 in Kolkata, West Bengal, to a Bengali gang. Her guardians are Amol Dam (father) and Papiya Dam (mother). She has a sibling named Mainak Dam.

Dam went to Loreto School, Bowbazar and from that point she passed Higher Auxiliary examination. She was a commendable understudy and won grants in school. At that point she got conceded in the Vidyasagar School, College of Calcutta and graduated with a degree in Science. Accordingly she likewise earned a postgraduate degree in Science at the Rajabazar Science School, College of Calcutta.

Being an on-screen character was not her youth dream. In her own words—"I learnt traditional move and was into theater from an early age. In any case, I never tried to be a performer." At first she needed to wind up either a specialist of Science or a pilot. Like other Bengali youngsters, in her adolescence, Dam took singing and established moving instructional exercises as well.

Film Lis

Year	Film	Language	Director
2013	Ankur Arora Murder Case	Hindi	Suhail Tatari
	Baga Beach	Konkani	Laxmikant Shetgaonkar
2012	Elar Char Adhyay	Bengali	Bappaditya Bandyopadhyay
	Hate Story	Hindi	Vivek Agnihotri
	Teen Yaari Katha	Bengali	Sudeshna Roy, Abhijit Guha
	Bedroom	Bengali	Mainak Bhaumik
2011	Chatrak	Bengali	Vimukthi Jayasundara
	Someday Somewhere… Jete Pari Chole	Bengali	Sanghamitra Chowdhury
	Ajob Prem Ebong…	Bengali	Arindam Dey
2010	Moner Manush	Bengali	Gautam Ghose
	Actor Aalive	Bengali
	Bangla Banchao	Bengali	Anup Sengupta
	Banshiwala	Bengali	Anjan Das
	Hurumtaal	Bengali
	Jhar Sheshe	Bengali
	Kagojer Bou	Bengali	Bappaditya Bandyopadhyay
	Mati O Manush	Bengali
	Takhan Teish	Bengali	Atanu Ghosh
	Tara (they)	Bengali	Bratya Basu
	Thana Theke Aschi	Bengali	Saran Dutta
2009	Tinmurti	Bengali	Raja Sen
	Shob Charitro Kalponik	Bengali	Rituparno Ghosh
	Mallick Bari	Bengali	Anirban Chakraborty, P. J. Joseph
	Box No. 1313	Bengali	Aniruddha Bhattacharya
	Jamai Raja	Bengali	Swapan Saha
	Kaalbela	Bengali	Gautam Ghosh
2008	Hochchheta ki	Bengali	Basu Chatterjee
	Aamar Pratigya	Bengali	Swapan Saha
2007	I Love You	Bengali	Rabi Kinagi
	Tulkalam	Bengali	Haranath Chakraborty
2006	Agnipariksha	Bengali	Rabi Kinagi

Playback Singer

• Kaalbela (2009)

Television

• Jibon Niye Khela (Zee Bangla, 2004)
• Tithir Atithi (directed by Jishu Dasgupta, ETV Bangla)
• Tarpor Chand Uthlo (Tara TV)
• Sonar Harin (ETV Bangla)
• Jaya

Koel Mallick is known as a hot and lovely lady of greatest film star in Tollywood bengali film industry. Her genuine name is Rukmini Mallick. Koel Mallick is an Indian performing artist who shows up in Bengali movies.

Koel was conceived in Kolkata, West Bengal, India to Bengali on-screen character Ranjit Mallick and Deepa Mallick of Kolkata's prominent Mallick Bari of Bhowanipore.

Her numerous prevalent motion pictures of bengali film industry. She has included in bengali film years dynamic 2002-present time.

Year	Film	Director	Co-actor	Language
2014	The Mafia	Raj Chakraborty	Jeet, Indraneil Sengupta,	Bengali
2014	Paglu 3	Rajib Biswas	Dev	Bengali
2014	Arundhati	Sujit Mondal	Indraneil Sengupta	Bengali
2014	Highway	Sudipto Chattopadhyay	Parambrata Chatterjee	Bengali
2013	Rangbaaz	Raja Chanda	Dev	Bengali
2012	Dashami	Suman Maitra	Indraneil Sengupta	Bengali
2012	Paglu 2	Sujit Mondal	Dev, Tota Roy Chowdhury	Bengali
2012	Hemlock Society	Srijit Mukherji	Parambrata Chatterjee, Saheb Chatterjee,Silajit Majumder	Bengali
2012	Jaaneman	Raja Chanda	Soham Chakraborty	Bengali
2012	100% Love	Rabi Kinagi	Jeet	Bengali
2011	Paglu	Rajib Biswas	Dev	Bengali
2010	Dui Prithibi	Raj Chakraborty	Jeet, Dev	Bengali
2010	Prem By Chance	Sudeshna Roy	Abir Chatterjee	Bengali
2010	Mon Je Kore Uru Uru	Sujit Guha	Hiran Chatterjee	Bengali
2009	Bolo Na Tumi Amar	Sujit Mondal	Dev, Tota Roy Chowdhury	Bengali
2009	Hitlist	Sandip Ray	Saheb Chatterjee, Tota Roy Chowdhury	Bengali
2009	Bor Asbe Ekhuni	Rangan Chakraborty	Jisshu Sengupta	Bengali
2009	Neel Akasher Chadni	Sujit Guha	Jeet, Jishu Sengupta	Bengali
2009	Jackpot	Kaushik Ganguly	Hiran Chatterjee, Rahul Banerjee, Sohini Pal Dev	Bengali
2009	Saat Paake Bandha	Sujit Mondal	Jeet	Bengali
2008	Love	Riingo Banerjee	Jishu Sengupta	Bengali
2008	Chirosathi	Haranath Chakraborty	Hiran Chatterjee	Bengali
2008	Mon Mane Na	Sujit Guha	Dev	Bengali
2008	Premer Kahini	Rabi Kinagi	Dev, Jishu Sengupta	Bengali
2007	Chander Bari	Tarun Majumdar	Soham Chakraborty, Rituparna Sengupta	Bengali
2007	Mahanayak	Debu Pattnaik	Anubhav Mohanty, Bijay Mohanty	Oriya
2007	Minister Fatakeshto	Swapan Saha	Mithun Chakraborty	Bengali
2007	Nabab Nandini	Haranath Chakraborty	Hiran Chatterjee	Bengali
2006	MLA Fatakeshto	Swapan Saha	Mithun Chakraborty	Bengali
2006	Shikar	Saran Dutta	Amitabh Bhattacharjee	Bengali
2006	Ghatok	Swapan Saha	Jeet	Bengali
2006	Eri Naam Prem	Sujit Guha	Anubhav Mohanty	Bengali
2006	Hero	Swapan Saha	Jeet	Bengali
2005	Chore Chore Mastuto Bhai	Anup Sengupta	Chiranjeet, Jishu Sengupta, Mithun Chakraborty, Jeet	Bengali
2005	Shubhodrishti	Prabhat Roy	Jeet, Parambrata Chatterjee	Bengali
2005	Yuddho	Rabi Kinagi	Mithun Chakraborty, Jeet	Bengali
2005	Manik	Prabhat Roy	Jeet	Bengali
2004	Debipaksha	Raja Sen	Rituparna Sengupta	Bengali
2004	Shudhu Tumi	Abhijit Guha Sudeshna Roy	Prosenjit Chatterjee, Payel Sarkar	Bengali
2004	Bandhan	Rabi Kinagi	Jeet	Bengali
2004	Badsha The King	Shankar Ray	Prosenjit Chatterjee	Bengali
2003	Nater Guru	Haranath Chakraborty	Jeet	Bengali